Michael Lightborne

SOUND

- Slí na Fírinne
- RING ROAD RING
- Sounds of the Projection Box

A/V

- Water Damage
- Concrete Cinema
- The Ignorant Camera / Urban Sensographies
- Extraction
- Adandonware
- Digital Light Processing
- The Future is a Waste of Time

TEXT

- List of writings and pdfs
-

Sounds of the Projection Box

(Michael Lightborne, Gruen177, 2020)

Listen to Sounds of the Projection Box on Bandcamp

Album released on vinyl and digital by Gruenrekorder

These recordings, made in 2016 and 2017, document the shifting sonic texture of the cinema projection box, as it changes from 35mm to digital projection. By 2014, the majority of UK cinemas had already converted to digital, making many projectionists redundant, and quietly altering the way that cinema works, as both an industry and an experience. Very few cinemas maintain the ability to project 35mm film alongside digital, and it was in some of the remaining, tenacious boxes that I sought the persistent sounds of analogue projection.

The unique space that this album investigates is simultaneously a workshop, an engine room, and an artist’s studio. The projection box is a small room at the back of the cinema auditorium that conceals both the apparatus of the moving image, and the labour of the projectionist, ensuring that both remain invisible, and inaudible, to the cinema-goer.

This album was developed as part of The Projection Project, a research project based in the Film and Television Studies Department at the University of Warwick, which seeks to record and investigate the history of cinema projection in Britain. A special issue of the Journal of British Cinema And Television Studies (Vol 15, No 1, 2018), edited by members of The Projection Project, features a number of articles about the history of British cinema projection and the work of the projectionist in Britain, through the twentieth and twenty-first centuries. It includes an article entitled ‚Sounds of the Projection Box: Liner Notes for a Phonographic Method‘, which augments this album, and elaborates upon the theoretical and methodological rationale for the use of sonic field recording as a mode of enquiry.

All of the images that accompany this record were made by Richard Nicholson. Some of them form part of a series of portraits entitled The Projectionists.

credits

released January 8, 2018

All recordings made by Michael Lightborne.
Photography by Richard Nicholson.
Artwork design by Michael Lightborne.

Mastered by Zak Zikis

10 Tracks (43′30″)
Vinyl (500 copies)

projectionproject.warwick.ac.uk
richardnicholson.com

Field Recording Series by Gruenrekorder
Germany / 2018 / Gruen 177 / LC 09488 / EAN 4050486119020

@michael.lightborne